[h=1]Marvel’s The Punisher Isn’t Bad, But The Netflix Formula Is Wearing Thin[/h]
Marvel’s The Punisher was an unexpected addition to the street-level Marvel line up after Jon Bernthal’s brooding performance in the somewhat disappointing
Daredevil season 2 convinced the powers that be that a Frank Castle-led solo program might not be a terrible idea. But in finding a convincing leading man who could help carry another hero’s show, neither Netflix nor Marvel found a compelling enough take on the violent vigilante to entirely justify 13 hours with him.
After the disappointment of
Iron Fist and
The Defenders, not to mention the utter failure that was
Inhumans, it feels as though Marvel TV is simply green lighting new projects because it can, when it should be green lighting new projects based on the strength of the idea around a character and a unique creative vision behind it, one that challenges the audience’s perception of what a story about a particular hero (or antihero) can look like. But even though
The Punisher is an improvement from what we’ve seen from Marvel TV of late, it still lacks a truly compelling take on the character.
One of the appealing things about the Punisher is the relative simplicity of the character. Like the skull emblazoned on the chest of his otherwise non-descript costume, the character’s ethos is very much black and white: if you’re a bad guy, you die. While that kind of straightforward simplicity works well in the two-dimensional world of the comics, it’s proven less successful in live-action adaptations. The character has been the star of three separate theatrical releases, and all were films that either failed completely or were simply disappointing.
Part of the problem with Frank Castle is that he’s little more than a rage-filled murderer, and one with an arsenal of automatic weapons at his disposal to boot. It’s no easy task turning that into an interesting three-dimensional character for two hours, let alone thirteen. And it’s even more difficult considering how real-world events recently delayed the release of the series
. As such, watching
The Punisher, it’s challenging to disengage from the depressing frequency with which mass shootings occur in this country, and how often the actions of the series’ hero can feel like an unwelcome reminder of that.
This doesn’t mean that
The Punisher is an unforgivably bad show or that it shouldn’t have been made. For starters, it’s miles ahead of
Iron Fist in terms of quality and given Bernthal’s moody performance that’s enhanced by the actor’s knack for delivering convincing action sequences –a like a construction site brawl where Frank takes on a trio of gun-toting thugs with nothing more than a sledgehammer – there’s plenty of reason to think the show could work.
And while aspects of the show do work well, like the diverting interplay between Bernthal’s Castle and Ebon Moss-Bachrach’s David ‘Micro’ Lieberman,
The Punisher as a whole is slow, and lacks focus. Series showrunner Steve Lightfoot (
Hannibal) might have had an edgy hit on his hands if he could have trimmed up the show’s many frayed edges, but as it stands, the series simply lacks a truly gripping story.
Instead, the series spreads itself across a multitude of plot points, the most unnecessary of which is the military conspiracy that rewrites the Punisher’s origin and essentially hits the reset button on everything that was already established in
Daredevil season 2. It’s here that you start to see the Netflix/Marvel series formula come into play, and it does the show no favors. While Frank gets back to punishing at a snail’s pace, the series introduces a supporting cast of uninteresting law enforcement characters played admirably by Amber Rose Revah and Michael Nathanson. The characters, Dinah Madani and Sam Stein, are virtually indistinguishable from any other cop on these shows who begins by chasing the hero down, but eventually learns to trust that the vigilante in question is ultimately trying to do the right thing.
Despite some anemic attempts to flesh Madani’s character out by focusing on her career and Persian heritage – which opens the door for a welcome appearance by
Shohreh Aghdashloo as her mother – and introducing a romance with Ben Barnes’ Big Bad Billy Russo, she and Stein mostly serve as a conduit for an extraordinary amount of exposition, a function that’s not only unnecessary since the plot isn’t exactly challenging, but it also grinds the narrative’s already slow-moving gears to a halt.
So much of what happens in the first six episodes feels like padding out a story that desperately needs to be much more concise. Beats are performed repetitiously until they numb those watching. After a while, the attempt to visually express Frank’s emotional turmoil and sense of culpability for his family’s tragic deaths fails to resonate at all. Meanwhile, a subplot tackling the treatment of military veterans once they return home doesn’t rise above being a commendable effort to address a real-world concern. And a midway-point injury that requires the hero to be out of commission for an hour before making a miraculous recovery smacks so much of the episodic rhythms already seen in
Daredevil and
Luke Cage, it’s like the series is just filling in the blanks on a boilerplate template.
The consistency of Bernthal’s performance and the casting of Moss-Bachrach, a talented performer who enjoys terrific chemistry with his co-star and brings a welcome surplus of levity to their scenes together, become the saving grace of the season’s first half. The two continually call one another out on their respective nonsense, which is completely necessary in order to make it even remotely possible to root for these characters, considering one is a serial killer and the other is basically a creep in a bathrobe spying on his wife and kids while playing the Man in the Chair.
All in all, so much of the first half of
The Punisher season 1 inadvertently revolves around the question: Just how much time do we want to spend with these characters? And in trying to answer that question it becomes clear how the Marvel/Netflix formula and 13-episode mandate does the series absolutely no favors. There’s a reason why Garth Ennis’
Punisher: MAX series found success by turning Frank Castle into a supporting character in his own series – it’s incredibly difficult to make one man’s endless homicidal rage into an absorbing television series without fundamentally altering the dynamic of the show or watering down the character to the point that becomes the Reprimander.
This isn’t a bad show, but the inherent problems with the character are amplified by the season’s excessive length and garden-variety approach to the Punisher’s way of doing things. At this point, the methods of operation for both Frank Castle and Neftlix’s corner of the MCU could stand to be refreshed.
[h=2]
The Punisher season 1 is available in its entirety on Netflix.[/h]
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[h=1]The Punisher is ‘Even More Realistic’ Than Other Marvel Netflix Shows[/h]
We interviewed
The Punisher star Ben Barnes, who plays Billy Russo, about his role as the series villain and the show’s violence. When Marvel TV and Netflix announced their own series of shows that would culminate in a team-up miniseries, they already had a plan in place for the lineup that would come to include
Daredevil,
Jessica Jones,
Luke Cage,
Iron Fist, and
The Defenders. Each series has been successful in its own right, and Netflix has ordered additional seasons of every show except
The Defenders (though it’s still early yet to see if that will continue). However, what wasn’t part of the plan was Marvel’s
The Punisher series being spun off from
Daredevil.
In season 2 of the first Marvel Netflix series, Matt Murdock faced off against Frank Castle (Jon Bernthal) aka The Punisher, but they eventually discovered they weren’t necessarily enemies.
Bernthal’s Punisher quickly became a fan-favorite of
Daredevil season 2, and it wasn’t too long after that Marvel and Netflix gave the green light for his own solo series. Now,
The Punisher has finally hit Netflix, introducing fans to a whole host of new characters existing in the world of Frank Castle. One such character is Frank’s best friend, Billy Russo, played by Ben Barnes.
[h=3]Related:
Marvel’s The Punisher Series Premiere Review[/h]In an interview with
Screen Rant to talk aboutthe latest Marvel Netflix series, Barnes discussed the
violence of The Punisher, how he landed the role of Billy Russo, and whether there was another Marvel – or other – superhero character he had his eye on before landing this role. Barnes also addresses Netflix and Marvel’s decision to
cancel The Punisher panel at New York Comic Con, as well as the
series’ delayed premiere date
What drew you to this project?
It was a combination of the fact that I had met some of the Marvel guys over the years on a couple of different projects and I hadn’t quite been the right fit for any of their characters. They obviously had these very specific archetypes in their minds particularly usually for their characters. And then they actually have memories [like] elephants at Marvel and they tend to bring people back in when they think of something that they do fit for.
It was a combination of that and speaking with our showrunner Steve Lightfoot, who was very keen to ground the show in a way that was even more realistic than the other Netflix Marvel shows in that you can portray this particular world without necessarily having anyone with any superpowers. So you can ground it in a way that is impossible for other properties.
The thing that got me really excited actually was my screen test that I did and they sent me these sides – which are the lines for the audition – and they send you dummy sides, they’re not real lines from the show that they’re going to do so that nobody gets overexcited that they’re auditioning for something that they know about. And they’d written this speech for Billy Russo, which was a speech about this childhood, which actually wasn’t in the end anything to do with the show and I was very, very disappointed when I found out I wouldn’t be able to give this speech in the series – in fact, I even said at one point to Steve on the phone, ‘If this speech is in the show, I’ll do the show, that’s as simple as it is.’ And he goes, ‘It’s not, but we’ll write you something similar’. It was actually this crazy story about a little kid beating up another little kid with a bat and I just found it really powerful and thought if this the sort of style that they’re going for, then it’s something that I would be really keen on.
Were aware of the other Netflix shows when you got involved, had you seen any of the others?
Yes, I’d seen Daredevil and Jessica Jones because I’d worked with both Charlie Cox, who plays Daredevil, and Krysten Ritter, who plays Jessica Jones. They’re both friends of mine, so I’m always very very keen to follow all my friends’ careers and I was really excited both of their shows got great reactions. So I called them when I got the offer and said, ‘Is this a great place to come and work?’ They were both very supportive of the choice.
So yeah I’d watched those shows and I just thought they were terrific. They were eminently bingeable shows so I moved through them quite quickly. Then I watched the other two that were out. While we were actually prepping or in the early stages of shooting The Punisher, I was making my way through the others. That’s one of the great things about being an actor, is that you can pretend watching television is homework.
From what I’ve seen of The Punisher, there’s a lot of action, what did you do to prepare for those scenes?
Well my particular involvement in the action was structured in a way that I had more time near the beginning to train than some other people. So I found myself, any day that I wasn’t shooting I would go into the – they’d set up a Punisher dojo with a giant Punisher skull spray-painted on a wall in a warehouse in Brooklyn. I would go in there everyday and I would have our fantastic stuntmen – Tom Williams is the stunt coordinator – particularly one stunt guy called Evan who took me through all sorts of various techniques. They took me to firing ranges and got me familiar with the weapons that will be used – a lot of knife training. In the end, I was calling him Mr. Miyagi because it felt very much like the montage sequences from Karate Kid to be honest, without the painting of the houses and sanding the floors obviously.
I said I wanted to learn how to do this and I’m quite accident prone, so every time to actually apply these skills that I learned on the set, I would inevitably fall over something and come home covered in various bruises, but it was really fun doing the training. We did a lot of boxing, a lot of knife fighting and gun training.
I watched a lot of Special Forces documentaries as well. I would watch them on the comfort of my sofa and try and work out how far into the training I think I could get, and I usually decided not very far. But I must have watched about 10 of those documentaries about Navy Seals training or Green Berets training or Special Forces training. I must have watched at least 10 of those documentaries as well.
In regards to The Punisher, the issue of gun control is obviously a big topic in today’s political climate, how aware were you during production of how this show might be perceived through that light? Did it impact your character or performance at all?
The truth about our show, and also the truth about the world in general, is that it’s a very complicated and traumatic place and I think these characters, even more so than in other superhero shows – which is why you don’t see a lot of guns in other superhero shows unless it’s a gun being kicked out of a nameless bad guy’s hand by a hero that would rather be nonviolent. But I think our characters are complex, particularly the character of the Punisher, he’s very much an anti-hero. He’s almost a villain character in some of the comics and the Daredevil series.
I think it was always laid out for us that the violence in our show was supposed to make you uncomfortable and you’re supposed to see the wear and tear on characters if they are violent. Nobody, I think, in our show is violent and lauded for it, especially if they’re using weapons. So that’s definitely not a message that’s being put out there, and that was something that was talked about, but obviously the conversation gets hugely heightened when things happen in the world – the tragic events in Las Vegas and everything – when the conversation escalates. But it was certainly something that wasn’t taken lightly, the violence on our show was never something that was meant to be glorified.
What did you think of Marvel’s decision to cancel the show’s New York Comic Con appearance and delay the premiere date?
Obviously, on a personal level, you see on Twitter that there are people who have bought tickets to come and meet you and obviously it’s difficult to know you’ve disappointed people through no action that you’ve taken. But I thought – y’know they decided between themselves that it wasn’t an appropriate time. I fully supported that. I mean, you have to be very careful what imagery you push into the public consciousness and the timing of when you do that and they decided that that was not the right time to air a show which has guns in it and I think that’s absolutely the right, responsible thing to do.
Switching gears a little bit, before you were cast as Billy Russo, were there any Marvel characters that you were interested in playing, any that haven’t been cast yet?
Oh, that’s interesting. … My old roommate used to have a book – I’m sure you’ve seen it before – but it’s like the big bad book of Marvel characters or something and it’s a huge, huge, huge coffee table book. I used to flip through it thinking – because when you’re an actor, you always think, ‘Oh well if I was to ever play a superhero who would it be.’ And then slowly you kind of realize they’ve all been picked off the list. There was a time a couple of years ago when Batman and Superman and Spider-Man were all young British actors and I was thinking, ‘Well hang on a minute, you’re not leaving me one!’ And I could never sort of work out which one it would be.
Inevitably it’s always one that you’ve never really thought of at all, but I think there’s something that happens to actors when you hit 35 and you get the opportunity to spread your wings a little bit in terms of the types of characters that become available to you and [what] people take seriously are lots of different types of things. Actually the opportunity to – not originating a character, this character has been on screen before, but to really sketch out a character, then flesh it out, then create a character really because the version of Billy Russo that we see in this show is not one we’ve really seen before.
Have you heard anything about Westworld season 2, if you’re coming back or not?
I definitely have heard because I can tell you that I have been on set at least once already.
[h=2]
The Punisher season 1 is available in its entirety on Netflix.[/h]